Through March 29
Alta Moda by Mario Testino
Queen Sofía Spanish Institute, 684 Park Ave., 212-628-0420
Mario Testino is one of fashion's most celebrated photographers around.
This exhibition of his work draws on Testino’s Peruvian roots, focusing
on the colorful hand-woven costumes from the mountain region of his
native country. The images—bold and fashion-forward—are inspired by
another Peruvian photographer,
Martin Chambi.
Through April 20
Fashion Jewelry: The Collection of Barbara Berger
Museum of Arts and Design, 2 Columbus Circle, 212-299-7777
Avid couture jewelry collector Barbara Berger may have one of the most
coveted collections around. Her loot includes custom-made necklaces,
brooches and bracelets from Chanel, Yves Saint Laurent and Dior—all
meant to be worn with haute couture. The pieces are further highlighted
in a new book,
Fashion Jewelry: The Collection of Barbara Berger.
Through April 30
Trend-ology
The Museum at FIT, Seventh Avenue and West 27th Street, 212-217-4558
Trends may come and go, but in the fashion industry nothing ever really goes out of style for too long.
Trend-ology focuses
on a 250-year-old trend cycle—starting in the 18th century—and follows
the emergence (and reemergence) of trends up into the current period.
This exhibition features 100 flash-in-the-pan pieces including a tartan
dress made in the early 1700s, a chunky gold Chanel necklace inspired by
Salt-N-Pepa and a Murakami-designed
Louis Vuitton satchel that was
replicated ad nauseam. The show also touches on how trends develop and
spread through various channels such as art, music and film, and how
fast-fashion stores like H&M and Zara have contributed to the world
of passé and beguiling trends.
Ongoing
Gilded New York
The Museum of the City of New York, 1220 Fifth Ave., 212-534-1672
The Gilded Age in America was marked by industrialization and immense
economic growth, which attracted immigrants from all over Europe. It was
a period of poverty for many and ostentatious displays of wealth for
some. This exhibition explores the mark the upper echelon left in NYC
through costumes, jewelry, portraits and ornamental objects created from
the mid-1870s through the early 20th century. The exhibition further
surveys the establishment of the retail and luxury marketplace that can
be credited with the City's place in the global fashion world.
February 7–April 19
Elegance in an Age of Crisis: Fashions of the 1930s
The Museum at FIT, Seventh Avenue and West 27th Street, 212-217-4558
Clothing in the 1930s was modest, elegant and innovative, reflecting
the socio-economic environment of the time. Women's fashion began to shy
away from the glamorous decadence and boxiness of clothing in the 20s,
into a more streamlined, slim-fitting and feminine silhouette. This
exhibition examines the role that bespoke designers, couturiers and
dressmakers had on fashion during this era and the swath of new textiles
and materials used to create much softer and lighter garments. Along
with women's wear, this exhibition also surveys the techniques that
emerged in menswear and tailoring during this time.
Bill Cunningham: The Façades Project
The New-York Historical Society, 170 Central Park W., 212-873-3400
Long before street-style bloggers, there was Bill Cunningham. The
street photographer's impromptu fashion shots graced the pages of the
Chicago Tribune and
Women's Wear Daily, but he became a regular contributor to
The New York Times after a candid shot of Greta Garbo in a well-cut coat caught the eye of
Times editor Arthur Gelb.
The Façades Project is an exhibition of Cunningham's eight-year-long photo essay work (titled
Façades), which includes photographs of models dressed in period costumes against historic architectural backdrops.